Label, 2025, Rumpistol, AYO, ISAN Wyler Sanca Label, 2025, Rumpistol, AYO, ISAN Wyler Sanca

Rumpistol - Tralfamadore / Cosmic Waltz (Remixes)

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Fresh off the recent release of his acclaimed LP Nebula, the Danish sound alchemist Rumpistol is back with two tracks from the album, reimagined by AYO and ISAN.

Tralfamadore (AYO Remix) — Blending deep textures and emotional depth, the Danish artist AYO takes us on an 8-minute ambient journey, The track takes its name from Kurt Vonnegut’s fictional planet and is released on Vonnegut’s birthday, Nov 11th — a fitting cosmic tribute.

Cosmic Waltz (ISAN Remix) — To accompany it, the Nebula vinyl bonus track Cosmic Waltz has been given a minimal and elegant reinterpretation by the British IDM pioneers ISAN, who will celebrate their 30th anniversary in 2026.


Photo by Kai Bernstein

Photo by Sarah Yarmond

Photo by Jakob Arthur Andersen


Original compositions and production by Jens Berents Christiansen aka Rumpistol.

Remixing, edits & additional production by Julie Schønherr Rosengreen aka AYO (1) and Robin Saville & Antony Ryan aka ISAN (2).

Mastering by Antony Ryan at RedRedPaw Mastering.
Artwork and design by Nicolas Freng.

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Rumpistol – Nebula


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Rumpistol – Nebula | Double Vinyl, 180g [LE500]
from $40.00
Rumpistol - Nebula | Silkscreen Print [LE100]
Sale Price: $10.00 Original Price: $16.00

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About Nebula:

On the list of recurrent Rust favorites, Rumpistol has kept us enamored with his compositions for the entirety of our label’s active years. A musician and producer of remarkable vision and professionalism, each successive Rumpistol release has gradually unveiled more and more of the story hidden in sound, playing out more like a musical drama than just a catalog. Consequently, Nebula is much more than just an album: 

The LP is inspired along two mingled fronts, being both a testament and a love letter to the waning awe that the Space Race (and its implications) imbued amongst the many peoples of the world, while also being designed with an implicit focus on the results on stage. Nebula’s arrangements work in tandem with these ideas, combining jazz, classical motifs, space rock, and modern electronic music, utilizing an array of both vintage and contemporary tones, synthesis, and compositional approaches to channel the all-encompassing wonder of the cosmos. Its pacing is entirely unlike the more dance-oriented offerings in the Rumpistol discography, replacing frenetic energy with the draw of tempered, introspective listening. Explicitly recorded and designed alongside a cast of instrumentalists and visual designers, the record is the next logical step in Rumpistol’s recent grounding in his consistent live ensemble, breaking out of the traditional molds that tend to keep producers narrowed to a single lane. Naturally, for The Rust’s upcoming 95th release, we can think of no more perfect a match than the Nebula LP.


ALBUM CREDITS


COMPOSITION
Produced by Jens Berents Christiansen.
String arrangements by Maria Jagd.

MUSICIANS
Jens Berents Christiansen
– Pianette, würlitzer, synthesizers, programming, cembalo, guitar, percussion, recorder.
Sven Dam Meinild – Flutes, EWI, bass-clarinet, clarinet, saxophone.
Maria Jagd – Violin & viola
Emil de Waal – Drums, percussion, bowed metal.
Helene Tungelund – Celtic harp.
Anders Stig Møller – Bass on Ascension, Stargazer, Celestial Awe & Alpha Centauri.
Nicolai Land – Upright bass on Pale Blue Dot & Silver Seed.
Anna Roemer – Guitar on Ascension & Silver Seed.
Yana Couto – Piano on Silver Seed.
Dísa – Vocals on Nebula.

ENGINEERING
Mixed by August Wanngren & Jens Berents Christiansen at Virkeligheden
Mastered by Antony Ryan at Red Red Paw.

ARTWORK & DESIGN
Deep space photography & portrait photo by Jakob Arthur Andersen.
Artwork and design by Nicolas Freng.
Poster layout by Malakai Linden.
Astronaut Jumpsuits by Heidi Stendorff.

SOURCE ARTWORKS

  • Red illustration from Camille Flammarion’s L’atmosphère: météorologie populaire (1888).

  • Green illustration from James C. Watson's A Popular Treatise on Comets (1861).

  • Vinyl label illustrations from Thomas Wright’s An Original Theory or New Hypothesis of the Universe (1750).

Supported by Statens Kunstfond & KODA Kultur.


ABOUT RUMPISTOL


“Rum” is a Danish word for “space”, “room” or “reverb”.

With industry plaudits including Gilles Peterson and musical comparisons to composers such as Nils Frahm and Max Richter, award-winning Danish producer, film composer, electronic musician and pianist Jens B. Christiansen (aka Rumpistol) finished his Piano Trilogy (After The Flood, Isola & Going Inside) in 2023.

Characterized by his meditative and cinematic sound, the trilogy sits in a beautiful space somewhere between ambient music, jazz and neo-classical stylings and is the result of Rumpistol’s two decades of experience in creating electronic ambient music for the inner canvas, but is also largely influenced by feedback received from people who use his music to get through difficult crises such as grief, anxiety, stress and depression.

Rumpistol sought out a team of skilled instrumentalists to feature on his new music, as it was important to him that his audience could sense the human presence in his recordings. Lush strings, fretless bass, mesmeric vocals, harp, alto flute, and guitars give Rumpistol’s cavernous soundscapes a sense of intimacy and closeness.

Sitting somewhere between ambient electronica, neoclassical music, progressive rock, and jazz, the piano trilogy is a dynamic exploration of meditative moods built with wide ranges of processed electronic and organic instrumental texture. Rich comforting harmony, lyrical melodies and thoughtful arrangements come together to flood the listener in peace and warmth.

In essence, Rumpistol brings together the many facets of a career which includes the band Kalaha, computer games, dance, theatre and film scores into a sound that brilliantly defies easy classification.

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For Danish composer Rumpistol, two huge driving forces behind his music are the search for beauty and the search for new sounds. These sonic and aesthetic curiosities, which can be firmly traced back to his self-titled 2003 debut, now considered a bit of an IDM classic, have taken him to many diverse fields of the electronic as well as the more acoustic landscape. His releases as well as his live sets ranges from soft neo-classical piano pieces to spaced out bass-driven electronic music, often hard to categorize but always full of melody.

Rumpistol has performed his detailed sound across the US, Europe, Mexico & Brazil including venues like Boom Festival, Tipper & Friends, Boiler Room UK and MUTEK Montreal. Apart from producing under the name Rumpistol, he also creates scores for film, theatre & contemporary dance and plays keys and produces for the Gilles Peterson approved Danish supergroup Kalaha.



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Rumpistol - In My Room

Music from the Danish producer Jens Christiansen aka Rumpistol has never been conventional. It was his ability to create experimental yet accessible electronic music that first earned him notoriety over a decade ago. Now, a new five-track collection called In My Room finds the producer leaning ever further into that absence of orthodoxy. In My Room takes artistic risk and combines threads from many electronic styles. It showcases non-linear songwriting, bold textures, and uninhibited array of sonic material. Yet despite Rumpistol’s endless tinkering and flirtations with the edge, In My Room still offers a deeply comforting listening experience. 

Art: Carlin Diaz

Art: Carlin Diaz

Tempos and moods are fluid throughout this release, but the common denominator is a sense of wonder. The sort of wonder surrounding something ultimate and grand that we can’t quite grasp, yet we know is out there. The sort of wonder that surfaces when we’re lost in thought alone in our room. Rumpistol can fit so many distinct, disparate sounds into his music without creating a crowded mix. Each element has room to breathe. In My Room offers another great example of this dynamic. 

In the past several years, Jens has been working with his jazz and world fusion supergroup Kalaha, and maneuvering through the United States’ bass music circuit. The sounds of these two different worlds appear to have heavily influenced In My Room, and as such, it represents a new evolution of Rumpistol’s music.

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The Rust Music - Auburn Etch [VA]

The Rust Music is honored to present our third compilation, Auburn Etch. Departing from the variable genres of our previous Oxidized compilations, this collection of music is a full service package of brolic and boisterous bass music. We’re tapping into the global reservoir of talent for this release, presenting producers from the United States, United Kingdom, Ireland, Denmark, Poland, and Australia.

Featuring high-octane rhythms, visceral sound design, brutish breakdowns, and break-neck musical phrasing, each track on this compilation represents a one-inch-punch of high fidelity audio production. Danny Grooves, Rumpistol, and Easyjack have lent their production wizardry and impeccable rhythm to the compilation, anchoring a release that showcases the unhindered skillsets of 5AM, Maxfield, Wessanders, and a host of other young-blooded producers with a tenable ferocity for meticulously processed synthesis.

Auburn Etch is a necessity in the catalog of any discerning audiophile. It’s full of those sonic sensations that are fondly familiar, and those that are new and boundary breaking.

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