With each successive release, Reso reminds discerning listeners why he has earned such a vaunted tenure in the wider world of bass music. Sandrock is filled with pulverizing low-end, naughty rhythmic jaunts, and flexible dance-floor compositions. It’s release marks the second full year of label Slug Wife’s existence, and there couldn’t be a better set of tracks to commemorate the occasion.

Cracking open a melodious morning egg for this edition of Lo-Fi Sundays is the California-based beatsmith standingwolf. Replete with all of the traditional hip-hop deliciousness that we’ve grown so fond of, standingwolf demonstrates a knack for a wide array of modalities and musical motifs.

Imminent by Losion, the latest release from UK collective Outtalectuals, exists at the intersection of chugging guitars and IDM sound design. Occasionally using the label “neurohop” to describe his sonic experiments, Ludovic Delespierre (Losion) is more notable for his guitar playing and use of crash cymbals than this genre tag might imply, Here is an invitation to dive deep into the most sedate of the five songs from Imminent, “Swarm”.

Combining the virtuosity of musicians from across the total span of genres, Aaron Johnston stands at the helm of the ambitious live project Aaron Johnston’s J.E.D.I. An acronym for “Jazz-Electronic-Dance-Improvised", J.E.D.I. is exactly what it suggests; a high-octane, hybrid-jazz fusion of dance floor mentality and total performance fluidity.

Korey Wade is a diversely talented producer based in Phoenix, Arizona, and one of the instrumental (ha!) individuals behind Brunch Collect, a community-based platform for beats, food and the combination thereof, also based in Phoenix. In a word, Wade’s music can be described as fun. it’s rich with soul and full of colorful sampling and bright melodies.