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The humble position to take would be that Submersion Festival is akin to its many contemporaries; a gathering of like-minds, hosted by like-minds, with the intention of furthering musical and artistic experiences in a space that makes us all feel at home with the event and its surroundings. The more modest position is that Submersion has achieved a standing in our wider community that is reflected in the circuitous return of fans, friends, and acts year on year. If you’re still on the fence, now’s the time to get serious. Tickets are running out, the doors open in three days’ time, and we’re hoping to see each and every one of you out in crowd for three days of sun, shoreline, and serendipity.
Longtime Rust collaborator and audio heavyweight Josh Kipersztok is no stranger to a diversity in composition. His latest collection of work, the Epitome LP, takes a departure from the crystalline profile that his mixing hygiene holds in the limelight. Taking cues from breakbeat, house, and midtempo bass music, the record is the most expansive collection of Smigonaut music to date. We spent a little time catching up with our longtime friend and cohort to get a taste of what powers Epitome, and where Smigonaut finds himself with relation to his musical output nowadays.
We’ve certainly had our in-house favorites from over the years, and Jens Christiansen has been along for nearly the entire ride. Under his Rumpistol moniker, he’s produced a professional collection of music that has gradually filled out the narrative arc in his musical imagination. From pensive to frenetic, the territory his music lies in has always been deeply informed by a certain retro-future aesthetic, and his recently released Nebula LP brings that aesthetic into direct focus. With such passion demonstrably evident in the work, The Rust felt it necessary to have a brief conversation with Christiansen on the nature of the album, its inception, and what he has planned for its full unveiling as a dedicated performance.
With over 14 years of music production hanging off of his toolbelt, Sam Rivkin has taken the patient path to musical maturation, gradually stirring his ingredients at the right pace and temperature to guarantee hearty results through his Conduit project. Rivkin is certainly no stranger to sound, having been a multi-instrumentalist for much of his life, and has been concurrently performing through his collaborative duo project Betafuse for over a decade. Up until now, Conduit releases have been kept close to vest. The payoff for this patience is release of his debut Duality EP through the veteran Colony Productions label, an apt home for such a granular set of tracks.