Reviews Mark McNulty Reviews Mark McNulty

Futexture - Amphibelle

Amphibelle is the first release from the experimental glitch producer Futexture in almost four years. The startling intricate arrangements, masterful sound design and thematic continuity across the six-track EP suggest that this long hiatus has been kind to the producer aka David Krantz from Asheville, North Carolina.

Amphibelle is the first release from the experimental glitch producer Futexture in almost four years. The intricate arrangements, masterful sound design and thematic continuity across the six-track EP suggest that this long hiatus has been kind to Futexture aka David Krantz from Asheville, North Carolina. The music is inspired by the “movement and archetypal expression(s)” of water, according to David, who describes how he was “knee deep in a slowly moving stream” when he was “overcome by an extremely intricate and overwhelming auditory hallucination” prompted in part by the rushing water. Amphibelle is David’s attempt to recreate and depict that experience in sound. As such, it’s only appropriate that the record is released to the world by Aquatic Collective.

The six songs at first sound vastly different from one another. In this way, the composition is all over the map. By no means is it sloppy, though, it’s just difficult to identify by genre, or to associate it with common tropes or genres other than “glitch” (Amphibelle has many of them). There are common threads woven through the entire release. These include complexity in sound design and arrangement and an auditory imitation of the infinite expressiveness of water.

The second half of “Syntax” is nothing short of incredible. The stacked frequencies forming the lead melody are chill-inducing. The melody sounds almost like a blues waltz played out on synthesizers that surge forward in high contrast to the light background riffing on keys and pads. In the background, minute glitches patter like the sound of pouring water. “Plengi” again has aquatic synthesis, although now it’s more robust, like a gush instead of a trickle. Atop a quasi-dub aesthetic, an emotive mandolin plucks away in a style between four-bar blues and classical Spanish playing. On this track, Futexture demonstrates his knack for designing sounds that are crisp but not necessarily musical, and arranging them in such a way as to give them a musical function.

“Through the Edge of Never”, particularly in its reprise or second half, offers a beautiful sonic glimpse of the duality between the chaos and order inherent in a rushing body of water. A stoic set of chords contrasts with a heavy archetypal breakbeat laden with saturation and heavy reverb. The title track, though, has to be the superlative song on the record. The array of audio material crammed into this one track is dizzying. It pivots on a dime again and again from one soundscape to an entirely different one while somehow still maintaining a sense of thematic continuity.

All 100 percent of the money spent on Amphibelle will be donated to help provide clean water for the Secoya tribe in Ecuador and help the tribe buy back ancestral land they were evicted from in the 1940’s (learn more at amphibelle.com). Although Futexture has been quiet for years now, fans still express the impact that his earlier music made on them. This release reestablishes that Futexture is indeed still operating on an elevated playing field, creating experimental electronic music in league with any of the style’s great practitioners.

FOLLOW Futexture:   Soundcloud   /   Spotify   /   Bandcamp   /   Facebook

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Reviews Mark McNulty Reviews Mark McNulty

Craftal - Boxed In EP

A clog in the creative canal can constrict many musicians. Any artist, for that matter, must navigate boulders and board ups that would block the path to expression. In this context, the title of Craftal's latest release - Boxed In - may be misleading. Boxed In reaches out and embraces the broadest universe of patterns, textures, arrangements and sound designs to date.

A clog in the creative canal can constrict many musicians. Any artist, for that matter, must navigate boulders and board ups that would block the path to expression. In this context, the title of Craftal's latest release - Boxed In - may be misleading. Boxed In reaches out and embraces the broadest universe of patterns, textures, arrangements and sound designs to date. Anything but restricted, Craftal’s creativity darts out in dozens of directions across four glitch hop and halftime tracks.

This comes courtesy of Aquatic Collective - it being their lucky 13th release. This group of artists, originally inspired by the fact of the ocean is 95% unexplored, probes more terrestrial territory with Craftal. His music is grainy, in your face, and less, well, aqueous than their usual offering. The spirit of artistic exploration between two matches up one-to-one, though. 

Precise, mechanized sound design is Craftal’s forte, and he flexes it over kinetic hip-hop and halftime beats. He first began sharing tunes four years ago, releasing a stream of singles, one EP, and a mix for Wormcast since. A series of exciting sounds appeared on “Coming Down the Hatch”, a quick spin of works-in-progress released almost one year ago. Surprisingly only one of those WIPs made the cut for Boxed In. This almost certainly signals that someone is sitting on a stash of unreleased songs. But what about the tunes that were released? 

“Oscillopathic” and “Best Intentions” stand out, while “Alpha Bitsy” and the title track lay, not for lack of luster, in the cut. Our modus operandi is to always offer something diverse in sound design, but the sheer amount of differentiation in Craftal’s music sets it apart. One-off spectacular sounds that amaze then appear never again are common across the EP. The word and song “Alpha Bitsy” is applicable here, as Craftal’s grooves generally grow by stringing together many small bits and pieces of extraterrestrial sound. 

“Boxed In” and “Oscillopathic” tread heavily through the low end as these bits traipse in the higher registers. The swamp pervading “Oscillopathic” is particularly moist and filthy. A high point arrives fifty-five seconds in when a scaly synthesizer syncopates for just a moment with the halftime drums and unlocks a mighty sway. But it's too brief. Maintaining this movement throughout the track could have made for a more addictive listen, but it’s a mighty and mind-blowing moment nonetheless. 

Craftal, who hails from Boulder, Colorado, has ability on the oscillators that's difficult to deny. However, he’s only begun being booked to perform. Solasta FestivalStilldream Festival and stops at Denver's Cervantes Other Side and Black Box form the bulk of his gigging resume. Intuition suggests this resume may grow in 2018 to the benefit of crowds everywhere that seek the squelch. In addition to a potentially unreleased trove, Craftal now has four more heaters from Boxed In to let rip when he does begin taking the stage more frequently. Stay chooned for that. 

FOLLOW Craftal:   Soundcloud   /   Facebook   /   Instagram

FOLLOW Aquatic Collective:   Bandcamp   /   Soundcloud   /   Facebook

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